Arsilda, Regina Di Ponto is Vivaldi’s fourth opera. First performed in at Teatro Sant’Angelo in Venice, its author’s ambition was to establish his nascent. Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant’Angelo in the fall of While Vivaldi had, by its debut. Antonio Vivaldi – Arsilda, Regina di Ponto Slovak National Theatre, Bratislava – Václav Luks, David Radok, Lucile Richardot, Olivia.

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Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. Retrieved from ” http: They have also performed at many European early music festivals, including the Italian festival Arsida Barga, for which this production of Arsilda was prepared in The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age.

As such, it perfectly encapsulates the contemporary Pier Jacopo Martello’s tongue-in-cheek satire of opera of the day, which argued that opera, in order to be entertaining, should avoid following Aristotelian rules of drama and instead feature favored scenic conventions, such as prison and sleep scenes.

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Vivaldi: Arsilda, Regina di Ponto

Skip to main content. But a number of operas-some familiar, others forgotten-are neither of these. Vivaldi responded to this farrago with a succession of reasonably concise arias. The playing is arilda and airy and the speeds are well judged. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

The libretto was by Domenico Lalli, who had provided the words for Ottone in Villa three years earlier, inand was to collaborate with Vivaldi on rasilda later operas. The true Tamese, meanwhile, is disguised as the palace gardener, and both Arsilda and Lisea have an unexplained attraction to him.

Overall, this is a fine achievement; but how our traveller longs for the oasis of a love duet!

Opera Today : VIVALDI: Arsilda, Regina di Ponto

Domenico Lalli, his librettist, who settled in Venice in after fleeing his native Naples upon being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century.

From SOMM recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.

While Vivaldi’s instrumental music has been widely known for some time, only in recent decades have his operas attracted such attention. PDF typeset by Unknown Ram.

Composition Artist Credits Arsilda, regina di Ponto. Works by Chabrier, Poulenc, Ravel, Satie et al. Printer Version Send to a Friend. All of the singers on this recording convey the individual characterizations with knowledgeable awareness of performance practice and attention to phrasing, dynamics, and ornamentation.


As it turns out, everything went smoothly. There is, therefore, a relative dearth of recordings of his operas, and any contribution is appreciated.

arsildda If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. We normally think of operas as being serious or comical.

Modo Antiquo’s contibution is vivapdi quality recording, done on period instruments with highly competent singers. Founded in under the direction of Sardelli, the group has made several recordings with Amadeus, cpo and Tactus, including the first complete recording of Vivaldi’s cantatas.

The translation of the libretto and notes stand up, ar.

Arsilda, regina di Ponto, RV 700 (Vivaldi, Antonio)

Contents 1 Performances 1. Opera seria ; Theatrical Works ; Operas ; For voices, orchestra ; Scores featuring the voice ; Scores featuring the orchestra ; For voices vialdi orchestra ; Librettos ; Writings ; Italian language.

Beyond Gilbert and Sullivan: No part of arrsilda website may be reproduced entirely without expressed written permission. Copyist Johann Georg Pisendel On a visit to Pontus, Tamese and Barzane fall in love with Arsilda, she chooses Tamese, and the two men fall out.